Food for the Journey: A Life in Travelby Elizabeth J. HaynesPublished by Thistledown PressReview by Shelley A. Leedahl$24.95 ISBN 9781771872690 Calgary novelist and short fiction writer Elizabeth J. Haynes has just published a new book, and this time it’s an essay collection. Food for the Journey: A Life in Travel is the kind of book I can really sink my teeth into. As I read these engaging essays about the author’s far-flung travels, family dynamics, heartbreak, a health crisis, history, politics and her former profession (Haynes is a retired speech-language pathologist), I quickly ascertained that the “food” here is much more than literal. Mining experiences from a lifetime of global travels, the introverted and interesting author comes by her love of travel honestly: her father worked on a fisheries project for the British Colonial Office in Nigeria in the 1950s. “He arrived on a freighter, squinting into a bloody sunrise on the Gulf of Guinea,” Haynes writes. She concludes her first essay with an observation of her father’s “big, gnarled hands holding the knife that sliced cleanly through ham and bread and cheese and the fire-red peaches.” In my experience, one of the most exciting things about travelling is the…

From the Ground Up: An Anthology of New FictionEdited by Annabel TownsendPublished by Pete’s PressReview by Shelley A. Leedahl$21.99 ISBN 9781069000965 Annabel Townsend loved the “From the Ground Up” theme of Regina’s Cathedral Village Arts Festival (2024) so much, she used it as the theme for an anthology featuring ten Regina area fiction writers. Townsend—a writer, editor, publisher and former bookstore owner—held a “Battle of the Pitches” event at the festival: short story writers were given three minutes to “pitch” a story before a live audience and judges, with the prize being publication in the first-ever anthology by Pete’s Press, From the Ground Up: An Anthology of New Fiction. A few other writers also contributed stories. The stories include a futuristic story by well-known, multi-genre author Alison Lohans. The piece, “Crystal Sister,” is set on the planet Terruggia, which contains a “massive crystal lode” that’s being mined. The main character is young Lytha, whose “job was to form and impress images into waiting crystal, which had the capacity to amplify and transmit halfway across a galaxy.” Legend has it that the Terruggian waters are unsafe, so what’s any self-respecting teenager going to do? You can guess. The anthology opens with…

Fierce, Fabulous, and Fluid: How Trans High School Students Work at Gender Nonconformityby LJ SlovinPublished by University of Regina PressReview by Shelley A. Leedahl$32.95 ISBN 9781779400505 To write the academic text Fierce, Fabulous, and Fluid: How Trans High School Students Work at Gender Nonconformity LJ Slovin (the Martha LA McCain Postdoctoral Fellow at the Bonham Centre for Sexual Diversity Studies at the University of Toronto) undertook a year-long ethnographical study in a Vancouver high school to explore the experiences of gender-nonconforming youth, who, Slovin found, were “often overlooked in discussions about trans issues, in part due to policies created by well-meaning educators that inadvertently perpetuated a narrow definition of trans identity.” Ethnography is the study of people in their own environment through methods including participant observation and face-to-face interviewing. Slovin, a non-binary researcher and Vanier Scholar, writes that in witnessing how six “gender-nonconforming youth navigated their genders … through different spaces and relationships at school,” they attended their grades 9-12 classes, “joined in during their extracurricular activities and clubs, ate lunch with them, attended their performances, and hung out” inside school and out, ie: in cafés. Slovin’s work focused on “youth who were not regularly recognized by others as trans,” and these…

Walking Upstreamby Lloyd RatzlaffPublished by Thistledown PressReview by Shelley A. Leedahl$19.95 ISBN 9781771872706 Saskatoon’s Lloyd Ratzlaff—essayist, former minister, walker in wild places—has released his first poetry collection, and wow. I know this man and have long believed that poetry lives in him; I’m grateful his mostly contemplative poems—alive with water, birds and creatures—have found a deserving home in Walking Upstream. The first two sections map “The Old Path” and “The Irresistible Forces,” while the latter two, “To Grouse like a Mountain,” and “Afloat,” ferry readers from “Coffee at Starbucks” to a “Prairie Cemetery” and “Nirvana Big Rest Motel.” At the latter, the narrator waits out “a steady rain” and concludes “I can do nothing/for my mother in her care home bed/but think,/look Mother,/I am because of you.” Whew. For a piece with just eleven lines, this unsentimental poem packs serious emotional punch, aided by an image of the “white petunias [that] sag/under the water’s grey weight.” Ratzlaff possesses a gift for evoking emotion in just a few poignant lines—some might consider this poetry’s raison d’être—and his poems reflect that over a lifetime, the former counsellor’s mastered the oft-ignored art of listening. “The Realm” contains just nine lines, but in the…

Books and the City: Psychogeographical Wanderings Around Toronto’s Independent Bookstoresby Annabel TownsendPublished by Pete’s Press, The Wandering SeriesReview by Shelley A. Leedahl$24.99 ISBN 9781069000996 It’s entirely wonderful to finish a book and immediately recognize that the author could be your new best friend. Annabel Townsend is a British-born, Regina, SK writer, and her nonfiction title Books and the City: Psychogeographical Wanderings Around Toronto’s Independent Bookstores contains all the elements I require for a wildly successful read: it’s well-written and structured; its author is passionate and clear about her mission; and it opened my mind while delivering a plethora of fun. Huge points also for the adventure of big-city, solo travel; staying in hostels; and using Toronto’s Bike Share program. And, naturally, I share her belief in the “magic” that bookstores (and books) contain. Books and the City details Townsend’s January 2024 pursuit to find a particular book, Stroll, by Torontonian Shawn Micallef, whom she heard present at the Toronto International Festival of Authors in 2022. Like Micallef, Townsend is a psychogeographer. Psychogeography, she explains, is “a marriage of psychology and geography but with a good dose of creativity and ethnography thrown in.” It’s “a lens through which we can view…

Little Big Sister: Big Little Brotherby Ashley Vercammen, Illustrated by Mario Vianni and P Aplinder KaurPublished by Home Style TeachersReview by Shelley A. Leedahl$25.00 ISBN 9781778152948 As a longtime reviewer, I’ve noted that some progressive children’s writers are publishing books that tell a good story while simultaneously addressing the subject of diversity, whether that’s through stories that highlight cultural diversity; include representations of non-traditional families (ie: same-sex partnerships); spotlight intergenerational relationships; or contain depictions of characters who are differently-abled, ie: an Autistic boy or a visually-impaired girl. I believe this to be a positive trend in the publishing industry, and these inclusive books deliver a much more accurate depiction of what contemporary Canadian schools—and society—really looks like. Saskatchewan writer and Home Style Teachers’ publisher, Ashley Vercammen, appears to have made it her mission to be inclusive in her illustrated children’s books. She writes about how motherhood can mean many different things, how “family” can also include friends from various cultures, and—in her longer illustrated book, School Readiness—what children can expect when they begin school, and how they should conduct themselves in that sometimes intimidating and/or confusing new setting. Her illustrated book Little Big Sister: Big Little Brother features adult siblings…

The Glass Lodge: 20th Anniversary Editionby John Brady McDonaldPublished by Shadowpaw Press RepriseReview by Shelley A. Leedahl$34.99 ISBN 9781998273119 As the name suggests, Shadowpaw Press Reprise is in the business of publishing previously-released books, often with edits and other improvements. The Glass Lodge: 20th Anniversary Edition, a holds-no-punches poetry collection by Saskatchewan writer John Brady McDonald is one such book. First published in 2004 by Kegedonce Press, the Néhiyawak-Métis writer/artist/actor/musician/historian—yes, he has a lot going on—from Muskeg Lake Cree Nation and the Mistawasis Nehiyawak has given the new hardcover edition a spit-shine, with “frank, fascinating insight[s]” into the poems’ angsty geneses, and several images of the initial handwritten pieces. McDonald’s been recognized for both his writing and artwork. His nonfiction book Carrying it Forward: ESSAYS FROM KISTAHPINÂNIHK garnered two Saskatchewan Books Awards in 2024, and his art’s been shown internationally. This multi-talented, Queen’s Platinum Jubilee Medal awardee (Saskatchewan), has had an extraordinarily diverse life, ranging from promiscuity and addiction issues to studying at England’s University of Cambridge and presenting his work in Australia. The book’s told chronologically in four parts—“Emergence,” “Eros,” “Kuskitew Peyesis” and “Renaissance,” and includes a “Denouement.” The poems reach back to McDonald’s difficult teenage years: the first…

Sam and the Big Bridgeby Maureen Ulrich, Illustrated by Matt GonyaPublished by Flatlands PressReview by Shelley A. Leedahl$24.99 ISBN 9781778296529 Multi-genre writer Maureen Ulrich has released a new illustrated softcover for children, and its moving conclusion left me with a lump in my throat. The Lampman-area author is no stranger to the pen: she’s previously published the Jessie Mac Hockey Series of novels; the YA alternative history series, Winds of Change; the middle grade novel Kimeto’s Journey; and a poetry book, Something’s Different, described as “A COVID journal in verse.” When it comes to writing for young people, Ulrich clearly knows her audience. In her first children’s picture book, Sam and the Big Bridge, the former teacher-turned-author delivers a short tale about two brothers, Sam and Derek, and her initial three words set the stage for the story: “Sam was anxious.” Interestingly, Sam is the elder brother, and he’s concerned that his little brother might get hurt on the playground swing or monkey bars, or that he might leap into the swimming pool “without his waterwings,” or even fail to check for cars when he crosses a street. Sam even worries in his dreams: his mother says she’s signed the…

Sticks & Bones: Haiku and Senryuby Allison Douglas-TournerPublished by Your Nickel’s Worth PublishingReview by Shelley A. Leedahl$19.95 ISBN 9781778690433 I’m fond of image-based poetry, and it’s one reason I enjoy reading poems written as haiku and senryu. Likely you remember haiku from school days: in its traditional form, it’s a three-line, seventeen-syllable nature-based poem with a five-seven-five syllable count. It conveys a single moment in which the poet suddenly sees or realizes something. An aha! moment, if you will. Senryu is similarly structured, but it’s more concerned with human nature and often contains irony or satire. Both forms originated in Japan, and both are unrhymed. Victoria, BC’s Allison Douglas-Tourner recently released a lovely collection, Sticks & Bones: Haiku and Senryu, which reminded me of why I enjoy these concise forms so much. It’s easy to find inspiration from the natural world on Vancouver Island, and she explains that the island’s “beaches, woods, and meadows” have long been inspiring her. Ravens, those busy gatherers of “sticks and bones,” have also stirred her to write, and the attractive cover image of her small, square-shaped book features a single raven with twigs in its beak. There’s one page-centred poem per page with ample…

The Time for Peace is NowWritten by Marion Mutala, Illustrations by Kate Hodgson, Calligraphy by A. E. MathesonPublished by Millenium MarketingReview by Shelley A. Leedahl$19.99 ISBN 978-1-7390670-5-2 Prolific and award-winning Saskatoon writer Marion Mutala now has twenty titles to her credit—including the acclaimed children’s series Baba’s Babushka, poetry and a cookbook—and, during these globally turbulent times, she’s aptly re-released her 2015 chapbook The Time for Peace is Now. The book’s minimally illustrated (a blue dove with a leafed olive branch appears on the cover and throughout the book) by Kate Hodgson, with lovely calligraphy by A. E. Matheson. Mutala has a history of promoting peace, love and equality in her books, and in the dedication for this small book she considers “World Peace,” and writes: “In the 21st century, society needs to teach children to find ways to solve problems peacefully. I ask myself ‘What am I doing today to promote peace?’” I would say the former longtime educator is doing much more than most with the publication of this title, inspired, she says “by the motto of Hazrat Mirza Nasir Ahmad Khalifatul Masih III: ‘Love of all, hatred for none.’” Each page is a prayer in itself, beginning and…