Falls Into Placeby Jesse A. MurrayPublished by Off the Field PublishingReview by Shelley A. Leedahl$14.99 ISBN 9-781777-591328 Saskatoon writer and teacher Jesse A. Murray recently released his sixth book, the poetry collection Falls Into Place. While many writers toil several years over a single book, this prolific writer has self-published five poetry collections between 2020 and 2022—this could be a record! As the title suggests, his poems just seem to “fall into place,” and this proved especially true during the global pandemic. “When the pandemic hit, my life changed. My writing changed. I had to work from home … I started to go through all of my piles of writing that I hadn’t looked at in years,” he states, and says that most of the poems in this book were written “before bed”. Transitions also included a new job, a marriage, and impending fatherhood. I’m familiar with Murray’s work via two of his other poetry collections—I Will Never Break and Not Here To Stay—and find many similarities here. Physically, they’re large poetry collections, and the oft-rhyming poems tend toward introspection—and, specifically, not quite measuring up to the yardstick the narrator’s set for himself. The first several poems hint at a…

Something Bigby Jenna and Avery Wasylkowski, Illustrated by A.E. MathesonPublished by aemworks PublishingReview by Shelley A. Leedahl$11.95 ISBN 9-78177-980702 Illustrator/publisher A.E. Matheson has done something big. She’s teamed whimsical illustrations and a fanciful conversation lifted from “real-life” (I’m assuming, as the front cover declares the story’s a “conversation” between Jenna and Avery Wasylkowski), and created a delightful—and most unusual!—Christmas-related story that spotlights childhood imagination and belief. I hadn’t even reached the first page of text before I was mesmerized: the book opens with a two-page, full-bleed spread of a green dragon with translucent wings chained to charcoal-coloured boulders. His eyelids are heavy, smoke vapours from wide nostrils, and one of his three grey horns appears like a party hat atop his fringy head. This well-crafted image inspires curiosity: what exactly is this clawed creature? Turn the page, and one enters a completely different scene: a realistic family breakfast with a mother, father and son around a kitchen table. Here, too, I’m slow to flip the page, even though the opening text’s compelling: “So? Any thoughts on what you’re asking Santa for Christmas?” (We don’t know which parent’s asking this question, and this interesting lack of attribution’s another trait that sets…

Danceland Diaryby Dee Hobsbawn-SmithPublished by Radiant PressReview by Shelley A. Leedahl$22.00 ISBN 9-781989-274828 ‘Tis a wondrous thing to watch a writer’s oeuvre grow. I’ve had the pleasure of following Saskatchewan’s Dee Hobsbawn-Smith evolution as she’s published enviable books of poetry, short fiction and nonfiction—including the scrumptious Bread & Water: Essays—and now this hard-working writer’s earned another literary moniker: novelist. Danceland Diary, the award-winning author’s premiere novel, is saturated with poetic imagery, a juicy plot, and longing. First-person narrator Luka Dekker’s been born into an off-colony Hutterite family that harbours dark secrets—indeed, keeping secrets seems an intergenerational trait for these “gypsy Hutterites,” and Luka’s got a dandy of her own. It’s been twenty-two years since Luka’s unstable mother, Lark, abandoned Luka and her sister, Connie, and moved to the west coast. The girls were raised by their grandmother, the matriarch Anky, and never saw Lark again. At eighteen Luka left her rural Saskatchewan life to attempt to find her beautiful and elusive mother in Vancouver. The timing of Lark’s disappearance eerily lines up with Robert Pickton’s murders of women from Vancouver’s Downtown Eastside. Is there a connection? Luka’s thirty when the novel begins. She has horticulture and botany degrees, and a…

I Never Met A Rattlesnake I Didn’t Like: A Memoir”by David CarpenterPublished by Thistledown PressReview by Shelley A. Leedahl$24.95 ISBN 978-1-77187-227-0 When I discovered that Saskatoon’s David Carpenter was releasing a new memoir, I Never Met A Rattlesnake I Didn’t Like, I immediately wanted to review it. I knew it would be illuminating, well-written and downright fun, because this is what I’ve come to expect of Carpenter’s work, whether fiction or nonfiction, and this latest title’s cleared the bar. Carpenter’s a bonafide storyteller and a “rabid conservationist,” and his entertaining stories and mind-broadening research into “this ancient cafeteria called nature”—and who and what threaten it—is an epiphanic read. The memoir’s an homage to “creatures with Fangs, Claws, and Other Pointy Things,” from mosquitos, snakes and weasels to the apex predators: wolves, cougars and bears. Over eighteen mostly short chapters that “follow the chain of predation,” we learn about Carpenter’s lifelong passion and reverence for the winged, finned and four-legged. “I seem to have a thing for predatory animals,” he writes. “My journals are full of them.” He’s been keeping field notes for fifty years re: his “sightings of and adventures with predacious creatures,” from boyhood memories of fishing on Lake…

Poppies, Poppies Everywhere!by Denise Leduc, Illustrated by Breanne TaylorPublished by Lilac Arch PressReview by Shelley A. Leedahl$15.99 ISBN 9781778286919 Some writers make it look easy. Such is the case with Aylesbury, Saskatchewan writer Denise Leduc, who recently published Poppies, Poppies Everywhere!, a well-written children’s story that seamlessly explains the importance of Remembrance Day via a grandmother and her granddaughter, Charlotte. It’s “a frosty November day,” but young Charlotte wants to go to the playground. “It had monkey bars and slides, her two favourite things!” Her grandma—depicted uncharacteristically and attractively with long grey hair and in trendy, rolled-up, stovepipe jeans—has other ideas. It’s Remembrance Day, and the woman leads Charlotte across the park to purchase commemorative poppies. “You wear it close to your heart,” she tells her still miffed granddaughter. After hot chocolate in a coffee shop—Louisiana-based illustrator Breanne Taylor shows Charlotte kneeling on her chair, as a child might—Grandma explains that they’re going to attend “a ceremony to show we care.” It’s noteworthy that Leduc’s not fallen for the easy shortcut of naming emotions in this important story. When “Charlotte touched the poppy on her coat,” we know what she is feeling. Through descriptive writing, we experience the collective quiet…

Buddy: A Farm in the Forest StoryWritten by Jena Wagmann, Illustrated by Alana HyrtlePublished by Your Nickel’s Worth PublishingReview by Shelley A. Leedahl$16.95 ISBN 9-781988-783895 It’s not uncommon for children’s authors to transform a scenario from “real” life into a story for a picture book, and sometimes it works, sometimes it doesn’t. In the case of Goodsoil, SK writer Jena Wagmann’s new title, Buddy: A Farm in the Forest Story, the actual-experience-to-the-page formula works dog gone well. The retired school administrative assistant-turned-farmer (and writer!) has paired her talents with Nova Scotia illustrator Alana Hyrtle—and if I’m guessing correctly, this is actually a mother-daughter team—to create a heartwarming story with delightful watercolour illustrations about adopting a scruffy Shih Tzu who’d been abandoned in the forest by its previous owner. “Buddy” was “definitely not the handsomest dog they had ever seen—his eyes bulged out of his head, his teeth stuck out on one side of his mouth, and his little black nose did not sit in the middle of his face.” Buddy appears on the cover facing the moon and a star-filled sky above a forest, and it was easy to fall for the “little bit crooked” canine hero who at one…

Grandfather’s Reminderby Alberta-Rose Bear and Kathleen O’Reilly, Illustrated by Lindsey BearPublished by Your Nickel’s Worth PublishingReview by Shelley A. Leedahl$19.95 ISBN 9781988783826 Grandfather’s Reminder is a warm and relatively simple contemporary tale with an “oral storytelling-feel,” but it is an ambitious undertaking: aside from its gentle teaching about respect for the land and all it provides, the handsome illustrated children’s book is written in English, Plains Cree and Saulteaux, and contains an introduction to these languages, plus a glossary. Proceeds from the sale of the hardcover book go to the Touchwood Agency Tribal Council Education Fund. Authors Alberta-Rose Bear and Kathleen O’Reilly immediately immerse us into the prairie landscape, and illustrator Lindsey Bear provides the colour and detail in full-bleed images that depict a chokecherry-picking family in the woods beneath summer-blue skies. Many of the illustrations are bordered in a floral beadwork design. It’s August, “well before the leaves started to turn colour” and “the foxtails waved gently in the wind.” The story’s narrated by a child whose grandfather lives nearby, and when this nimosôn (Plains Cree)/nimihšōmihš (Saulteaux) Elder arrives with “white buckets” for everyone, they follow him “behind his house towards the hill” where “behind the willow trees [there]…

Goby Shelley A. LeedahlPublished by Radiant PressReview by Elena Bentley$20.00 ISBN 9781989274675 How often do we find a book of poetry in which a poet generously invites us in, like a long-time friend, to sit down and catch up? Not often. But in Go, Shelley A. Leedahl’s beautifully crafted fifth collection of poetry, the decades “dissolve / as mysteriously as mist” as Leedahl describes a life spent untethered to person or place and the loneliness that accompanies it. Friends give you all the important details, and so does Go: the messiness of lovers, the grief of losing a parent, the seemingly insignificant significance of gladiolus, salmonberries, and bald eagles. Go is open and honest in a way I’ve rarely experienced in a collection of poems. And I appreciate that Leedahl doesn’t sugar-coat or romanticize loneliness: “I may forever come home / to an empty house […] me with my pathetic need / to hold another warm hand, / to be whispered to across a pillow.” She acknowledges her desire for companionship, and I find it a refreshing confession. Keeping an “[e]ar to the pane,” Leedahl uses windows as a clever literary device with which to reflect on her past. “I…

Shimmers of Light: New and Selected Poemsby Robert CurriePublished by Thistledown PressReview by Shelley A. Leedahl$24.95 ISBN 978-1-77187-218-8 Multi-genre Moose Jaw writer Robert Currie has been an integral contributor to the Saskatchewan literary scene for as far back as I can remember, and I’ve been reading – and enjoying – his poetry and stories across the decades. Currie’s also worked hard behind the scenes as an educator, Saskatchewan Writers’ Guild board member, and founding board member of the Saskatchewan Festival of Words. He’s also headed the Saskatchewan Writers’ Guild. In short, Currie’s earned his Saskatchewan Lieutenant Governor’s Award for Lifetime Achievement in the Arts. I’m so pleased that Thistledown Press has released a “Best Of” collection of Currie’s poems. Shimmers of Light: New and Selected Poems is an attractive highlight reel that begins with a glowing essay by poetry veteran Lorna Crozier. She lauds Currie for position[ing] his poems in the local” and “find[ing] a way to rhapsodize the prairies without ignoring its starkness, its closeness to elemental things, and the long, long months of cold.” Nine sections are dedicated to previous poetry collections (including chapbooks), and New Poems – what I’m especially interested in – begin on page 211…

Baba Sophie’s Ukrainian CookbookWritten by Marion Mutala, Illustrated by Wendy SiemensPublished by Millennium MarketingReview by Shelley A. Leedahl$24.95 ISBN 9781777371333 I’m no great wonder in the kitchen– if I am cooking, I usually turn to the internet for recipes. Recently, however, I’ve started buying cookbooks. Two reasons for this: firstly, each time I click on a recipe online, I have to wade through paragraphs of unnecessary text (i.e. “My uncle Bob just loves these blackberry muffins”) before the author even gets to the ingredients; and secondly, I just love actual books, and seeing the recipe on a printed page – often beside a photograph of whatever I’m attempting to make – feels like the right tact. Thus, I was duly pleased when Marion Mutala’s latest book arrived in my mailbox because this time, the prolific and award-winning Saskatchewan writer has penned Baba Sophie’s Ukrainian Cookbook. I’ve previously reviewed Mutala’s excellent children’s books and poetry, and I know that from the words to the design, production to the print, this would be a quality book and downright practical too (and I need all the help I can get). The Sophie of the title is Mutala’s mother, Sophie Marie (née Dubyk) Mutala…