Elemental EveWritten by Barbara Kahan, Illustrations by Wendy WinterPublished by Wild Sage PressReview by Shelley A. Leedahl$29.95 ISBN 9780988122994 The front and back cover images on Saskatoon writer Barbara Kahan’s complex multi-generational novel, Elemental Eve, depict two magnificent, multi-coloured watercolour paintings of women—one young, one old—set against snow-white backgrounds. Before reading even the first word, I paused to appreciate Wendy Winter’s cover illustrations: this is one of the most attractive books I’ve seen in a long time. Metaphorically speaking, Elemental Eve is a labyrinthine river with numerous tributaries, flood plains and wetlands. The plot concerns four different “Eves”. There’s Millennium Eve, a revered artist who lives in Regina. She’s the great- grandmother of Future Eve (Evie), a young New Zealander and self-professed “wanna-be artist with no talent” who travels to Canada to speak with a third woman, Solloway, a close friend of Millennium Eve’s. Soloway grew up in Regina, worked in Toronto for many years, and retired to a cabin in northern Saskatchewan. Two other Eves—Biblical Eve (she has intellectual conversations with the Serpent) and Prime Eve (who “climbed out of the briny sea billions of years ago”)—appear less frequently in this heavily-populated novel that spans the length of history…
