Wîhtamawik/Tell Them: On a Life of Inspirationby Louise Bernice Halfe – Sky DancerPublished by University of Regina PressReview by Shelley A. Leedahl$27.95 ISBN 9781779400840 Award-winning Saskatchewan writer Louise Bernice Halfe – Sky Dancer is renowned for her candid, Cree-infused poetry and presentations. Her latest book, Wîhtamawik/Tell Them: On a Life of Inspiration, braids memoir, poetry and essays to reveal where the author’s found inspiration and, I would say, contentment, after a tumultuous early start. In the eloquent introduction by the author’s daughter, Omeasoo Wahpasiw, the latter writes: “My mom dances with both her bones and the bones of our people, and when they poke and punch her with their insistent rattling, she does us all a favour, as painful as it is, and leaves them naked in the wind.” Until age seven, Halfe lived with her family in a log cabin on the Saddle Lake Reserve and practiced traditional Cree ways of life. She doesn’t pretend that it was perfect. Her father drank and was emotionally volatile (“His heart was a cave of stalactites.”). Her parents “stooked hay, picked rocks/in white farmers’ fields”. Halfe “learned to hunt, skin, and butcher game through non-verbal methods. [She] also watched [her] grandparents work…

Blue thinks itself within meby Kim TrainorPublished by University of Regina PressReview by Shelley A. Leedahl$27.95 ISBN 9781779401205 I knew I was in for a different kind of book when I read the author’s dedication, which begins: “For the flying beings, the ones with sharp teeth,/the ones who swim, the fire stones, the trees, the rain.” By the end of prize-winning Vancouver writer Kim Trainor’s text, Blue thinks itself within me, I can affirm that her dedication tracks. Trainor sees, hears, experiences and questions with the intensity of a scientist and the detail of an artist as she draws readers both into the forest at the two-year Fairy Creek blockade near Vancouver Island’s Port Renfrew—where she joined other protestors to protect old growth logging—and through her elegiac and philosophical quandary re: how best to approach writing a long lyric poem about the oldgrowth specklebelly lichen (a rare and threatened species found on yellow cedar in ancient forests) in a kind of respectful co-making with this oldgrowth resident. Trainor describes artist Natasha Lavdovsky’s discovery of “over sixty trees draped in glittering specklebelly,” and explains that “The finding of such a large community of oldgrowth specklebelly was evidence of the age of…

Something for the Darkby Randy LundyPublished by University of Regina PressReview by Shelley A. Leedahl$19.95 ISBN 9781779400888 I’ve reviewed four of Randy Lundy’s transcendent poetry collections, and each time I’ve come away thinking surely this is as good as he gets. Then a new title’s released … and the ceiling rises again. Something for the Dark, Lundy’s latest, follows Field Notes for the Self (2020) and Blackbird Song (2018) in a trilogy of meditative books that address the whole of it: life and meaning; connections with people and place (he’s often “on the back deck” with cigarettes and coffee, and his poems surreptitiously venerate the prairies he long resided on); seasons; his beloved creatures (particularly dogs and birds); nothingness and silence; and writing poetry (“These lines are getting the/discussion nowhere”). I built a fire in the woodstove, lifted the old dog up onto the couch, and, in silence and solitude, let the words nourish me. Lundy possesses the artist’s gift of seeing, certainly, but he also exhibits the rare ability to render images and experiences into something other, something that borders on the holy—a crow feasting on the rib of a “road-killed deer” holds “a strip of meat/in its beak,…

First Light, Last Lightby Glen SorestadPublished by Shadowpaw PressReview by Brandon Fick$19.99 ISBN 9781998273461 First Light, Last Light is a fitting title for a poetry collection that concerns itself with the beginning and end of human life, lost and recovered memories, the rhythmic cycle of the seasons, and glimpses of natural life in the early dawn of spring or the cold, shadowy dusk of winter. Glen Sorestad, one of Saskatchewan’s elder literary statesman, its first Poet Laureate, and co-founder of Thistledown Press, has compiled a book without pretension. Many of Sorestad’s poems are written from personal experience, meditating on his parents, brother, or children, a bulldozed childhood farm and disappeared dog, or more recently, medical appointments and the strange rituals of the pandemic. He also proves to be a keen observer of birds. All of this adds up to a satisfying portrait of a man. In “Part One: The Human Touch,” Sorestad fluctuates between poeticizing contemporary life and excavating the past, with an emphasis on the latter. In fact, there is a poem titled “Excavation: Mount Pleasant Public School,” provoked by a photo, as a number are in this section. This 1940s school in Vancouver “long gone to wrecking ball…

GreenWritten and illustrated by Zachari LoganPublished by Radiant PressReview by Shelley A. Leedah$25.00 ISBN 9781998926251 In reading visual artist and poet Zachari Logan’s art/poetry hybrid collection,Green, I was struck by the recurring motif of seeing, and Logan’s recurrentinclusion of the natural world’s diverse creatures and plants. Awe and wonder areintegral elements in this innovative work, a fact that Logan asserts in hisilluminating introduction, which concludes: “[this work] is, ultimately, anexploration of my own enchantment with the world …”. The title also reflectsLogan’s artwork in this collection: the fifty-one pages of drawings—mostly ofleaves, branches and blossoms, and all done “in green ink, pen andpencil”—were completed in a sketchbook he purchased in Venice. Logan’s a well-known Regina, SK artist with a global curriculum vitae. Indeed,prairie gophers, “old wasps and potato bugs” are comfortably juxtaposed againstthe “turtles of Morningside Park” viewed at New York’s “East 96 th Street” and“Vitosha Boulevard’s/bulging trees in Sofia”. Logan was invited to exhibit his workin Bulgaria, and references Bulgarian painter Zlatyu Boyadzhiev (the “̒BulgarianBruegel’”) as well as Caravaggio, El Greco and Canada’s Tom Thomson in thissuperb collection. While employing a range of poetic styles, most of these reflective poems arewritten in free verse and many are narrative, including…

What Shade of Brown?by John Brady McDonaldPublished by Radiant PressReview by Toby A. Welch  $20.00 ISBN 9781998926282 What Shade of Brown? is what I call a ‘pocket book’ as it’s small enough to tuck into your bag or pocket. It’s seventy-eight pages long so it’s not very thick. But wow, does it ever pack a punch!  This book of poetry is made up of thirty-five poems. Each and every one of them is dynamic. The poems delve into the struggles McDonald has lived through as a light skinned person who toggles between two groups; undermined by the settler-colonial society and not accepted as an Indigenous person in lands that feel strange to him. The poems are unforgettable – readers are immersed in the struggles that are McDonald’s reality. The poems cover a wide range of topics from mourning a misspent youth, the joys of rain, admitting you drink too much coffee, the early days of Covid, struggles with insomnia, concepts of race, and dozens more. I especially enjoyed the poems that are nature focused as I strongly believe, like McDonald does, that nature is an impressive beast. It’s hard for me to pick a favourite poem – that’s like asking which of…

Dog and Moonby Kelly ShepherdPublished by University of Regina PressReview by Shelley A. Leedahl$19.95 ISBN 9781779400383 Quirky contradictions, interconnectedness, and more swerves than the North Saskatchewan—Kelly Shepherd’s Dog and Moon delivers an audacious selection of poems that’ll make you think and possibly cheer, thanks to wordplay concerning the natural world, domesticity, etymology, poetry workshops (“Describe snow to someone who has never experienced it before”) and metaphors against a backdrop of shadows, mirrors, moons, frogs, feathers, Canadian writers and “concrete-coloured snow.” In this third poetry collection, Shepherd’s used the ancient ghazal form for inspiration, but he gives his couplets a contemporary twist with reverberations, koan-like riddles, a dash of politics and lines that had me smiling. Even titles are a hoot: “The Poetics of Space Heaters,” and “If Your Eyes Weren’t Prisms, Would You Notice?” Prediction: this book will earn awards. Firstly, the pairings and unusual juxtapositions. The book begins: “A man walks out of a forest. What walks out of him?” In the second poem: “Fish grow leafy fins and tails. Trees grow fish-shaped leaves./The trees, water, fire of childhood.” The poet takes two things, ie: fish and trees, then throws in a random third element, ie: “fire of childhood.”…

Walking Upstreamby Lloyd RatzlaffPublished by Thistledown PressReview by Shelley A. Leedahl$19.95 ISBN 9781771872706 Saskatoon’s Lloyd Ratzlaff—essayist, former minister, walker in wild places—has released his first poetry collection, and wow. I know this man and have long believed that poetry lives in him; I’m grateful his mostly contemplative poems—alive with water, birds and creatures—have found a deserving home in Walking Upstream. The first two sections map “The Old Path” and “The Irresistible Forces,” while the latter two, “To Grouse like a Mountain,” and “Afloat,” ferry readers from “Coffee at Starbucks” to a “Prairie Cemetery” and “Nirvana Big Rest Motel.” At the latter, the narrator waits out “a steady rain” and concludes “I can do nothing/for my mother in her care home bed/but think,/look Mother,/I am because of you.” Whew. For a piece with just eleven lines, this unsentimental poem packs serious emotional punch, aided by an image of the “white petunias [that] sag/under the water’s grey weight.” Ratzlaff possesses a gift for evoking emotion in just a few poignant lines—some might consider this poetry’s raison d’être—and his poems reflect that over a lifetime, the former counsellor’s mastered the oft-ignored art of listening. “The Realm” contains just nine lines, but in the…

The Glass Lodge: 20th Anniversary Editionby John Brady McDonaldPublished by Shadowpaw Press RepriseReview by Shelley A. Leedahl$34.99 ISBN 9781998273119 As the name suggests, Shadowpaw Press Reprise is in the business of publishing previously-released books, often with edits and other improvements. The Glass Lodge: 20th Anniversary Edition, a holds-no-punches poetry collection by Saskatchewan writer John Brady McDonald is one such book. First published in 2004 by Kegedonce Press, the Néhiyawak-Métis writer/artist/actor/musician/historian—yes, he has a lot going on—from Muskeg Lake Cree Nation and the Mistawasis Nehiyawak has given the new hardcover edition a spit-shine, with “frank, fascinating insight[s]” into the poems’ angsty geneses, and several images of the initial handwritten pieces. McDonald’s been recognized for both his writing and artwork. His nonfiction book Carrying it Forward: ESSAYS FROM KISTAHPINÂNIHK garnered two Saskatchewan Books Awards in 2024, and his art’s been shown internationally. This multi-talented, Queen’s Platinum Jubilee Medal awardee (Saskatchewan), has had an extraordinarily diverse life, ranging from promiscuity and addiction issues to studying at England’s University of Cambridge and presenting his work in Australia. The book’s told chronologically in four parts—“Emergence,” “Eros,” “Kuskitew Peyesis” and “Renaissance,” and includes a “Denouement.” The poems reach back to McDonald’s difficult teenage years: the first…

Sticks & Bones: Haiku and Senryuby Allison Douglas-TournerPublished by Your Nickel’s Worth PublishingReview by Shelley A. Leedahl$19.95 ISBN 9781778690433 I’m fond of image-based poetry, and it’s one reason I enjoy reading poems written as haiku and senryu. Likely you remember haiku from school days: in its traditional form, it’s a three-line, seventeen-syllable nature-based poem with a five-seven-five syllable count. It conveys a single moment in which the poet suddenly sees or realizes something. An aha! moment, if you will. Senryu is similarly structured, but it’s more concerned with human nature and often contains irony or satire. Both forms originated in Japan, and both are unrhymed. Victoria, BC’s Allison Douglas-Tourner recently released a lovely collection, Sticks & Bones: Haiku and Senryu, which reminded me of why I enjoy these concise forms so much. It’s easy to find inspiration from the natural world on Vancouver Island, and she explains that the island’s “beaches, woods, and meadows” have long been inspiring her. Ravens, those busy gatherers of “sticks and bones,” have also stirred her to write, and the attractive cover image of her small, square-shaped book features a single raven with twigs in its beak. There’s one page-centred poem per page with ample…