The Organist: Fugues, Fatherhood, and a Fragile Mindby Mark AbleyPublished by University of Regina PressReviewed by Madonna Hamel$24.95 ISBN 9780889775817 There is nothing Mark Abley can’t write about. Whether its about smalltown Saskatchewan, threatened languages, imagined conversations with dead historical figures or ruminations on the English idiom, Abley is indeed able. As poet and editor and columnist he inspires confidence in writers and readers alike, so that every new release is billed as “long-awaited.” Books take as long as they take, you cannot rush a writer. And in the case of this newest book, a nonfiction reminiscence on his life with his father, Abley could not have written it a moment too soon. There is never a moment in The Organist when the reader does not feel the immense pressure and tension in the writer to be fair, honest and fearless in his depiction of his father. His mother reminds Abley that his father had “an artistic temperament,” as if that somehow justified his occasional tantrums and extreme behaviours, such as locking himself in the bathroom before an international flight. Or wishing aloud to a dinner party of relative strangers that someone assassinate Margaret Thatcher. “Harry Abley”, writes Abley about…

The Organist: Fugues, Fatherhood, and a Fragile Mindby Mark AbleyPublished by University of Regina PressReview by Shelley A. Leedahl$21.95 (softcover) ISBN 9-780889-777613 Does anyone ever really know anyone else? In multi-genre writer Mark Abley’s absorbing memoir, The Organist: Fugues, Fatherhood, and a Fragile Mind, the Pointe Claire, QC writer contemplates the life of his perplexing father, Harry Abley – virtuoso organist, composer, and music teacher with a complex “range of identities” – and in doing so the author attempts to reconcile why this accomplished and restless man, more than twenty years gone, never seemed enough to his only child. Abley has a dozen critically-acclaimed books behind him and I heartily recommend this title because the writing’s exceptional: I was hooked by the end of the short prologue. The work is also honest. Abley admits that “any picture I draw of [his father] becomes an exercise in self-portraiture.” I commend that clear-eyed confession: it helps me to trust the writer, and know there’ll be no subterfuge. I also applaud the book’s interesting structure, conversational tone, and the gentle pacing of its ending … despite their often tempestuous relationship, Abley seems in no hurry to kill his father off quickly on the…

The Tongues of Earth by Mark Abley Published by Coteau Books Review by Shelley A. Leedahl $16.95 ISBN 9-781550-506105 A swallow’s “Cirque du Soleil”. Prairie fowl “swimming over their reflections”. The belief in “a skinny horse\the colour of burnt almonds\frying in the noonday sun”. If you are a master poet and thus possess the literary chops, numerous book publications, and the lifetime inquisitiveness that’s required, one day a publisher may honour you by releasing your “New and Selected Poems.” This is the pinnacle, and I commend Coteau Books for recognizing that Montreal poet, journalist, editor and non-fiction writer Mark Abley is worthy of such a title. The Tongues of Earth represents the best of what poetry can do: enlighten, entertain, empathize, and lift us from our familiarity for moments at a time to offer a bird’s eye view – or an insider’s view – into what it might be like to live a different life. This is a large, sweeping map of a book. Abley transports us to disparate locations that include the caves of prehistoric art in Chauvet, France; a cathedral in Girona, Spain; Montreal’s Chinese herbal shops “with powdered\centipedes and gallbladders in jars;” and to Banff’s towering Mount…

A Woman Clothed in Words by Anne Szumigalski Published by Coteau Books Review by Kris Brandhagen $16.95 CAD 978155050478 The name Anne Szumigalski has long been ubiquitous in Saskatchewan’s writing community. According to A Woman Clothed in Words editor Mark Abley, “[t]he depth and breadth of her involvement in the Saskatchewan literary community are hard to overestimate. Anne was a founding member of the Saskatchewan Writers Guild, a founding editor of Grain, and the first writer-in-residence at the Saskatoon Public Library”. She was a complex writer, who refused to be nailed down to a specific poetics, by herself, by anyone else, or even by her poems, preferring to always push boundaries, in terms of writing in all genres, and writing in-between genres, as well as collaborating with all sorts of other arts media and professionals. It is noted by Abley that, “the interplay between language and the female body shapes much of her work.” We find out where the title of this book comes from in an excerpt from the “Thin Pale Man”: …here’s the river again and the ice and Anna giving herself to love all garments fall from her but the garment of words and what could be…