The Door at the End of Everythingby Lynda MonahanPublished by Shadowpaw PressReview by Shelley A. Leedahl$19.99 ISBN 9781998273133 The metaphorical title of Lynda Monahan’s fifth poetry collection, The Door at the End of Everything, is lifted from her long, forthright poem of the same name. The piece is set in a mental health facility, and several of these saturnine new poems—particularly those in the book’s middle section, “Saying the Unsayable Things”—are based on the veteran SK writer, editor and workshop facilitator’s experiences as writer-in-residence at the Victoria Hospital in Prince Albert. I’d bet my snow boots that her facilitation of the Canadian Mental Health Association’s Writing For Your Life group, and, much more intimately, personal and familial experience, also inspired these thoughtful poems. As Monahan writes, “there is poetry everywhere,” and bravo to her: she surely finds it. It’s on tattooed wrists that cover scars, the bulimic who “gorges even on [drinking water]”, and in the patient treated with ECT (Electroconvulsive therapy) who says he “returned home/like the dry cleaning/my mind pressed flat/as a pair of black dress pants”. These are plainspoken, powerful poems that speak to truth, hope and resilience, even when a donated coat (“buttons long since missing”)…

A Beautiful Stone: Poems and Ululationsby Lynda Monahan and Rod ThompsonPublished by Radiant PressReview by gillian harding-russell$20.00 IBSN 9781989274200 A Beautiful Stone is a unique collection of poems written collaboratively by Lynda Monahan and Rod Thompson. At the Radiant launch, Lynda explained their creative method whereby the two poets took turns editing a virtual copy of poems over the internet and, in this way, the poems like stones in a stream were shaped by the combined experiences of both writers ( Lynda lives in Prince Albert and Rod lives “west of the city in the woods” according to his author bio). Lynda’s rationale for their chosen method was that they had both shared common experiences, such as the loss of a father, and so she hoped by interweaving the best of the images from two minds they could together create a seamless poem that had a greater universal appeal. As a past writer-in-residence for the John M. Cuelenaere Library in Prince Albert, Monahan strongly supports the idea of art as therapy for life’s downfalls. The collection is divided into a trinity of sections: “Choice of Light,” “Loon and I,” and “Ululation.” The first section introduces a mature speaker whose chosen…