kôhkominawak ocihcîwâw: Our Grandmothers’ Hands – Repatriating Métis Material Artby Gregory Scofield, Historical Overview by Sherry Farrell RacettePublished by Gabriel Dumont Institute PressReview by Shelley A. Leedahl$65.00 ISBN 9781988011226 In Gregory Scofield’s introduction to Our Grandmothers’ Hands: Repatriating Métis Material Art, the multi-genre Métis author, academic and bead-worker immediately demonstrates his poetic prowess via a description of the said, titulary hands: “I always imagine them as fine-boned birds, taking musical flight over a pattern traced onto velvet, stroud, or hide.” This fine writing compelled me to sink into this 245-page treasure trove of photographs, descriptions, and necessary stories about the grandmothers’ beaded artifacts—what Scofield refers to as “grandmother-pieces”—and his years-long efforts to repatriate them from “antique stores and ‘Indian art’ galleries, e-Bay and Etsy, and online auctions”. It was the myriad pieces themselves, he explains, that “guide[d] and educate[d] him” to give voice and honour to these Métis women and their creations during “a time of reconciliation” and “colonial reckoning.” Scofield recalls his Aunty Georgina teaching him—a nicâniskôhpicanisak, or “little ancestor”—to bead at her kitchen table, and recounts his ongoing dedication to learning how to “properly care for historic beadwork and silk embroidery.” Scofield’s illuminating introduction is followed by Sherry…
