Gordie’s SkateWritten by Bill Waiser, Illustrated by Leanne FransonPublished by Thistledown PressReview by Shelley A. Leedahl$14.95 ISBN 9781771872355 Few athletes in Canadian history are as iconic as Gordie Howe. Nicknamed “Mr. Hockey,” the Floral, SK-born hockey legend played professionally for an astounding five decades (plus a single game in a sixth decade), and a school, campground, football stadium, and hockey arena are named in his honour. The Gordie Howe International Bridge across the Detroit River–Howe was the Detroit Red Wings’ star player for 25 seasons–is set to open in 2024. It’s fitting that this historically-revered Canadian be celebrated via the arts, as well, and that one of Canada’s foremost historians, Saskatoon’s double GG Award-winning Bill Waiser, has shifted genres (Waiser’s well-known for his non-fiction work) and written an illustrated children’s book, Gordie’s Skate, to share the story of Howe’s humble beginnings, his passion to play, and his ultimate success. Waiser’s successfully transitioned into the magical world of children’s literature with a compelling story that introduces us to a young Howe who “would have played [hockey] all day and night if he could … even in his sleep.” Inspired by Howe’s autobiography Mr. Hockey: My Story, Waiser’s book is set in…

Silencing Rebeccaby Nikki VogelPublished by Thistledown PressReview by Toby A. Welch$18.95 ISBN 9781771872263 Silencing Rebecca is a fantastic book that jumps right into the action with a claustrophobic scene that has us questioning what the heck is going on with the main character. The book then goes on to answer that intriguing question. The story of Rebecca, a teenager transplanted from Toronto to Edmonton, starts predictably. She struggles with the upheaval of moving to a new place and starting at a new school, something most of us can relate to. But things quickly take an unexpected turn when Rebecca morphs into a golem.  I had no idea what a golem was. I vaguely remembered hearing the word in an X-Files tv show episode. But that was in the late 90s and my memory was drawing a blank. Vogel described a golem as an ugly monster, a mythical clay creature straight out of Jewish folklore. Still feeling clueless, I had to find out more. Enter Google. Stories of golems go back centuries. While golems started in Jewish mythology, they have morphed into popular culture in Dungeons & Dragons, Pokémon, and many more places. Currently golems are considered robots that operate through…

I Never Met A Rattlesnake I Didn’t Like: A Memoir”by David CarpenterPublished by Thistledown PressReview by Shelley A. Leedahl$24.95 ISBN 978-1-77187-227-0 When I discovered that Saskatoon’s David Carpenter was releasing a new memoir, I Never Met A Rattlesnake I Didn’t Like, I immediately wanted to review it. I knew it would be illuminating, well-written and downright fun, because this is what I’ve come to expect of Carpenter’s work, whether fiction or nonfiction, and this latest title’s cleared the bar. Carpenter’s a bonafide storyteller and a “rabid conservationist,” and his entertaining stories and mind-broadening research into “this ancient cafeteria called nature”—and who and what threaten it—is an epiphanic read. The memoir’s an homage to “creatures with Fangs, Claws, and Other Pointy Things,” from mosquitos, snakes and weasels to the apex predators: wolves, cougars and bears. Over eighteen mostly short chapters that “follow the chain of predation,” we learn about Carpenter’s lifelong passion and reverence for the winged, finned and four-legged. “I seem to have a thing for predatory animals,” he writes. “My journals are full of them.” He’s been keeping field notes for fifty years re: his “sightings of and adventures with predacious creatures,” from boyhood memories of fishing on Lake…

Shimmers of Light: New and Selected Poemsby Robert CurriePublished by Thistledown PressReview by Shelley A. Leedahl$24.95 ISBN 978-1-77187-218-8 Multi-genre Moose Jaw writer Robert Currie has been an integral contributor to the Saskatchewan literary scene for as far back as I can remember, and I’ve been reading – and enjoying – his poetry and stories across the decades. Currie’s also worked hard behind the scenes as an educator, Saskatchewan Writers’ Guild board member, and founding board member of the Saskatchewan Festival of Words. He’s also headed the Saskatchewan Writers’ Guild. In short, Currie’s earned his Saskatchewan Lieutenant Governor’s Award for Lifetime Achievement in the Arts. I’m so pleased that Thistledown Press has released a “Best Of” collection of Currie’s poems. Shimmers of Light: New and Selected Poems is an attractive highlight reel that begins with a glowing essay by poetry veteran Lorna Crozier. She lauds Currie for position[ing] his poems in the local” and “find[ing] a way to rhapsodize the prairies without ignoring its starkness, its closeness to elemental things, and the long, long months of cold.” Nine sections are dedicated to previous poetry collections (including chapbooks), and New Poems – what I’m especially interested in – begin on page 211…

The Beautiful Placeby Lee GowanPublished by Thistledown PressReview by Shelley A. Leedahl$24.95 ISBN 978-1-77187-208-9 Saskatchewan born-and-raised writer Lee Gowan has penned a thick new novel—The Beautiful Place—and it’s a beautiful thing. Gowan’s three previous novels have garnered much attention (Make Believe Love was shortlisted for Ontario’s Trillium Award), and his screenplay, Paris or Somewhere, was nominated for a Gemini Award. Currently the Program Director of the Creative Writing and Business Communications department at the University of Toronto School of Continuing Studies, this award-winning author’s giving readers something completely different with The Beautiful Place, which delves into the sci-fi world of cryonics; the realistic world of failed marriages, 21st Century parenting, and dementia; and the ever-precarious world of art and art-making. What Gowan’s done here is ingenious: he’s imagined an ongoing life for Philip Bentley, Sinclair Ross’s protagonist in As for Me and My House. Gowan’s tri-provincial sequel to that prairie classic’s told from the perspective of the minister-turned-artist’s grandson, also known as Bentley. The younger Bentley—a fired, semi-suicidal cryonics salesman, writer, and father of two daughters from different wives—is approached by a beguiling woman named Mary Abraham who “met Jesus in a dream and walked with him to a desert…

Only If We’re Caughtby Theressa SlindPublished by Thistledown PressReview by Shelley A. Leedahl$25.95 ISBN 9-781771-872119 In the opening paragraph of Only If We’re Caught, the debut short story collection by Saskatoon writer (and children’s librarian) Theressa Slind, readers are viscerally transported to Aspen Grove, a seniors’ residence—where the hallway “is painted the colour of cookie dough”—and into the mind of Parkinson’s-afflicted protagonist Margaret, who can no longer speak. We soon learn that Margaret’s not just any ninety-three-year-old nursing home resident with a “porous-boned spine curling in on itself” … she’s also telepathically communicating with a visiting child. This bizarre circumstance is typical of the tales in Slind’s collection of fifteen stories, some of which previously appeared in literary journals. The borders of normalcy are blurred, and that’s what makes this collection stand out. Perhaps the finest example of this is “Amygdule,” about a funeral director, Ben, who “commune[s] with ghosts.” Ben has a crush on his employee, Alice, who delivers a fountain of black humour. She “arrives in an eddy of formaldehyde,” and says things like “I like my men ripe” and “Back to work. Mrs. Chan isn’t going to embalm herself.” This story is also about a treasure hunt,…

Peacekeeper’s Daughter: A Middle East Memoirby Tanya Bellehumeur-AllattPublished by Thistledown PressReview by Toby A. Welch$24.95 ISBN 9781771872164  The coming-of-age memoir Peacekeeper’s Daughter is impossible to put down once it sucks you in. Told from the perspective of a twelve-year-old Canadian Army brat who is dropped into the Lebanese Civil War in 1982-1983, we are immersed into the heart of the Palestinian crisis. Alongside Bellehumeur-Allatt, we travel from Yellowknife to Jerusalem to Tiberias, Israel, eventually landing in Beirut, Lebanon. The book wraps up by going full circle with a return to Canada. Bellehumeur-Allatt does a phenomenal job of making the musings of her preteen self interesting.  Bellehumeur-Allatt was able to vividly recount the details of her life back in the 1980s thanks to a gift. Just before leaving Canada to head to the Middle East, the mother of her best friend gave her a blank journal wrapped in shiny paper. The mom told Bellehumeur-Allatt: “Write everything down, all the details. One day it’ll be a book.” In response, Bellehumeur-Allatt promised her she would. The mom likely had no idea that her serendipitous gift would lead to a potentially award-winning book forty years later. The details in this book make the reader…

Girl runningby Diana Hope TegenkampPublished by Thistledown PressReview by Shelley A. Leedahl$24.95 ISBN 978-1-77187-214-0 When a veteran multi-disciplinary artist pens a poetry collection, it’s likely that the influence of her other art practices will seep into the pages and make for an original read. This is evidenced in the case of Diana Hope Tegenkamp, a Saskatoon-based poet who also works with film, photography, visual and performance art, sound and music. In her debut poetry book, Girl running, Tegenkamp’s 23-page poem incorporates various fonts, strike-outs, quotations, footnotes, and superimposed text across a “mountain-like shape” which is “an outline of the iceberg that sunk the Titanic,” and the entire long poem is a conversational response to an 1809 textbook (Letters on Ancient History, by Anne Wilson). So interesting, and so are the questions it poses about history and subjectivity. “History, a whirlpool,32/sucking in obscure circumstances/with a frightful noise.33” Tegenkamp also alludes to sculpture, novels, paintings and films, ie: director Jane Campion’s adaptation of “Portrait of a Lady,” and there’s a poetic close-up of a poignant scene from “Boys Don’t Cry,” the 1999 Academy Award-winning movie concerning the tragic, real-life story about murdered trans man Brandon Teena in Nebraska. The poems in this…

Corridor Nine: A Novelby Sophie StockingPublished by Thistledown PressReviewed by Ben Charles$20.00 ISBN 9781771871815 Corridor Nine: A Novel, written by Sophie Stocking and published by Thistledown Press is an exceptional book that expertly encapsulates the extremes of soul-crushing emotions and outlandish behaviour in a way that is very accurate to the human experience. Even though this novel could be read within a weekend, it packs wallop. At under 200 pages this novel makes no room for literary fluff; every word is a thread that weaves into a beautiful and fantastical yet tender and tragic story of life and loss. The story follows Bernadette Macomber, who thought that she had all but completely cut ties with her troubled father, Fabian, to begin again and start a family of her own. In the wake of Fabian’s sudden suicide, Bernadette finds herself returning home. All is not over for Fabian, however, as he finds himself in a completely foreign afterlife named Corridor Nine and in the company of an angel/griffin-figure named Bune. As Fabian traverses life-after-life, Bernadette or “Bernie”, is left in the mundane to seek the source of her father’s recent insanity. As the twin narratives consecutively play out, they also intertwine…

Lost Boysby Darci BysouthPublished by Thistledown PressReview by Shelley A. Leedahl$20.00 ISBN 978-1-77187-175-4 Lost Boys is a short story collection with three-way heft: physical (eighteen stories), technical (diverse voices and plots; excellent characterizations; realism and magic realism are each employed to great effect), and emotional (wow). Effective art makes us think and feel, and in this, her first book, BC writer Darci Bysouth has mastered the tricky business of making the world seem both smaller and larger, and she’s made this reader’s heart turn over. Innate talent? I expect so, but Bysouth also honed her craft at the University of British Columbia and the University of Edinburgh, and her work’s appeared in respected literary journals and anthologies; these facts tell me that she paid her literary dues before breaking into the ISBN world with this fist-to-gut collection. I could speak of the equally convincing male and female narrators; the recurring themes of sibling relationships, poverty, addictions, and mental illness; or of settings that range from the “sheep and potholes” of Scotland to dark Canadian forests. I could write about the double entendre, the details, the poetic language, ie: “The water was such a long way below that it looked like…