Line Dance
Burton House Books / 4 November 2016

Line Dance An anthology of poetry, selected and edited by Gerald Hill published by Burton House Books Review by Shelley A. Leedahl $20.00 ISBN 9-780994-866912 Before I say anything else about Line Dance – the cool new poetry anthology driven by SK Poet Laureate Gerald Hill’s “First Lines” project – a disclaimer: two lines from one of my poems appear within it. Apart from that, I had zilch to do with this book that handily demonstrates the wealth of poetic voices in the homeland, the range of human imagination, and how art inspires art. Each weekday during Poetry Month in April, Hill e-mailed SK Writers’ Guild members a pair of first lines he’d selected from SK poetry books and invited folks to respond with poems of their own. Some, like professionals Brenda Schmidt and Ed Willett, sent poems every day. In the end, almost 500 pieces were submitted, and SK writing veteran-turned publisher, Byrna Barclay, bound what editor Hill deemed the best into a handsome package, featuring Saskatchewanian David Thauberger’s art on the cover. If you already read homegrown poetry, you’ll recognize several names here. The quoted include Dave Margoshes, Judith Krause, Paul Wilson, Gary Hyland, Elizabeth Philips, Bruce Rice,…

House of the White Elephant
Burton House Books / 18 February 2016

House of the White Elephant by Byrna Barclay Published by Burton House Books Review by Tanya Foster ISBN 9780994866905 $20.00 In Byrna Barclay’s most recent novel House of the White Elephant, the character Lewis Hutchinson says to his young daughter, Jesse Emma: “You cannot replace one person with another”. Yet, the compulsion to replace his first wife drives Lewis and, at first, it secures his posterity but, ultimately, alienates his children. Not only is Lewis impassioned about having an Elizabeth in his life, he is equally obsessed with compensating for his dark skin and questionable parentage. These compulsions are the metaphorical rivers that dominate the lives of the characters in the novel: at times, the rivers are life-giving and freeing, but mostly they are frozen rivers that keep the characters from moving on. In this historical novel, Barclay extends the river metaphor across continents and generations to reveal the steady-flowing influence of ancestry, history, and ethnicity on subsequent generations. The opening line of the novel—“The ice on the river is breaking up”—establishes the river metaphor that flows throughout the novel. The river of this novel is not a literal river, not the Ganges, not the Thames, not the North Saskatchewan;…